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Washed ashore on a Belgium nudist beach, Amadou Sawadogo quickly finds himself working on a construction site for a repugnant foreman who lines his pockets with the money he saves from hiring illegal immigrants. Driven by a mixture of anger and murderous revenge Amadou takes to the streets of Brussels, quickly finding himself lost and alone amongst the cities predominantly white population. This unconventional opening scene perhaps a crude metaphor for the perceived paradise of European countries to asylum seekers is followed by some utterly spellbinding opening credits, which effortlessly set out the stall for this aesthetically extravagant film. The Invader is a sumptuous portrait of asylum seekers that, whilst void of any tangible clarity, remains a thoroughly gripping and technically tight film. Your email address will not be published. This site uses Akismet to reduce spam.